Preface

This collection contains my works and ideas from the "classical landscape" period after 2000, and it is with great anticipation that I present my long-sealed paintings on this occasion. The exhibition also showcases a series of small sculptures, each roughly the size of my hand. Among them, some were set aside many years ago, their forms initially molded by the pressure of my hand; others suffered damage or were lost after their creation, prompting me to recreate them from memory. Furthermore, I have added missing parts and bases to my sculptures, creating a sense of floating mountains and seas. These enhancements contribute to the overall completeness and visual impact of the artwork. These small sculptures, portraying the landscape, not only revive my creative vision from that time but also reflect my current artistic craftsmanship.

The revered monk Sengzhao once proclaimed, "The things of the past do not come to the present," employing these words to convey the philosophy of change. Now, as I unwittingly find myself growing older and grayer, I introspectively ponder whether I remain the same as I once was.

Twenty years ago, I embarked on a transformative artistic journey encapsulated in the concept of "Carving the Boat to Find the Lost Sword." This endeavor challenged me to pursue the form of ancient paintings, despite the elusive nature of their true spirit. Guided by mentors and supported by friends, my works have evolved and shown modest progress, yet a lingering sense of disorientation remains. Presently, I sail back to familiar waters, seeking inspiration from the past, yet lacking the ambition to venture afar. Instead, I hold a deep reverence for my past creations. As an individual, wisdom eludes me, and thus, I continue to tread the same path I have walked throughout my life, but I have nothing to regret.

2023